viernes, 27 de abril de 2012


The buildings in the newer area of Barcelona have a very different vibe about them then both the gothic quarter and the eixample.  The idea of a completely transparent skin is not something that has been utilized in cities until recently.  Certainly the first two buildings that we visited by the beach are perfect examples of reasons for having a translucent skin: the views have to be spectacular. Therefore, a translucent skin is preferred.  Unfortunately the building does not seem to blend or related very well with its surroundings.  In an urban condition, I believe both buildings to be unsuccessful.

Another example of a new building with a transparent skin is the Torre Telefonica at 00 diagonal. In this case, however, the building is more about being a sculpture then using the transparency to show the outside from the inside of the building.  Again, this building has failed.  Though the building is cool, stylish, etc.; it doesn’t seem to fit in.

Somehow, however, i fear that this new style of architecture seen in this part of the city is forced, and even unwelcome. In both the eixample and the gothic quarter people are constantly out and about.  Every single tiny green space is filled with people socializing, playing soccer, and just relaxing.  Every street has hundreds of people walking or simply strolling. In this new part of the city, the Architecture is undoubtedly advanced and interesting, but it has no soul, it has no heart, it has no Passion.

~Anthony A





martes, 17 de abril de 2012

San Antoni Library Analysis



There a few problems with my perspective that I did at the San Antoni Library. In order to get a feel of the importance of the interior courtyard, a perspective showing the entrance sequence from the entrance of the library on the street, through the tunnel, and into the open courtyard was required. This was impossible due to the less then favorable weather conditions.  I coped, however, by doing a perspective showing the circulation sequence out of the space.  The vanishing point of the one-point perspective is placed at the eye level of a person standing on the sidewalk, outside of the library’s campus.  The drawing clearly shows the entrance tunnel with both of its catwalks that act as work space and circulation within the Library.  It also shows the low key entrance to the library.  The perspective ends at the beginning of the larger courtyard, while still showing the back part of the library as well as the entrance to the community center that is located within the courtyard. By only showing the first meter or so of the larger, inner courtyard, the drawing focuses on the entrance sequence, rather than the open space itself.  By doing so, the importance of the drawing is pinned on circulation, which, in my opinion is the most important part of this building.  If I had the opportunity to do the drawing again, I think a small perspective simply showing procession into the space from the street paired with a larger section perspective of the courtyard itself would have been more informational.

Anthony A

miércoles, 22 de febrero de 2012

Ciutadella Park vs Montjuic


Ciutadella Park in Barcelona is a very meticulously thought out and well planned park located on the edge of the Gothic quarter of the city.  There is one very clear linear element that runs through the entire park and organizes the spaces around it.  In addition to this there are also seemingly random paths and spaces that branch off of the main straight, but even they have order.  The singular elements that are placed in the park are also all not placed without relevance. In other words each building, clearing, and plant has order. The landscape of the park begins to define the placement of the buildings and the movement of people. The words "form" and "order" come to mind.


Montjuic is the mountain on the southern end of Barcelona. Like Ciutadella, things seem to be planned out with a sense of order and form.  Unlike Ciutadella, however, the entire space is not planned out as one.  Instead, each element has its own form and order that doesn't seem to relate to the next.  The botanical gardens, for example, have a very random and jumbled feel to them, and yet somehow there is a very clear path that one with subconsciously follow form the beginning to the end.  On the other hand, the Olympic complex is very linear and direct.  In other words each building is strategically placed on an even grid, and the remaining space is filled with very planned, linear landscaping elements.  The castle slightly down the hill has the same, linear, planned feel.  Even thought these elements are all very planned out, they do not relate to each other as a whole, like Ciutadella Park does.


~Anthony A

martes, 7 de febrero de 2012


Madrid vs. Barcelona - Theory Blog Post 2

Architecturally speaking, Barcelona and Madrid are two very different cities.  In Barcelona, the general layout of the city consists of a few very different zones, each with their own unique style of urban planning. For example, the Gothic quarter, the Eixample, and Gracia are three very different places with very different urban planning; however they all somehow come together in one way or another.  Each region also has its own unique style of building. In the Eixample, the buildings are relatively modern.  In the Gothic quarter, all of the buildings are old, and if they are new, they typically have original facades.  In Gracia, again, most of the buildings are old.  In Madrid I got the feeling that there wasn’t as much meticulous attention given to the city layout.  This doesn’t necessarily mean that the urban planning of Madrid is bad, it’s just different.  The older parts of the city don’t end up blending into the new parts of the city with respect to planning, however the buildings are mix and matched.  Throughout the city, there could be a classic building right next to a brand new building with a completely new style.  A perfect example of this is the Reina Sofia Art Museum. Most of the museum is a square, classical building with a typical inner courtyard, but the new addition by Jean Nouvel is as modern a building as any, and it shares no characteristics with the old building. Somehow it works, however.  In Barcelona, something like this would never fly.

~Anthony A